Elliott Curson has a long history in corporate and elective candidate campaigns.

And media relations.

His messaging and creative are considered memorable and game-changing by media such as The Washington Post, and New York Times best-selling authors such as Craig Shirley. 

For example, in 1980 then California Governor Ronald Reagan, underdog candidate for president of the United States, launched his campaign seeking the Republican Party nomination.  He lost the first state primary to George H. W. Bush, the consensus frontrunner.  

Curson was called into the Reagan campaign, where he created a series of television spots focused on the candidate discussing issues such as leadership, the economy and a strong national defense, each concluding with the key message, "It's nice to be liked.  But it's more important to be respected." 

Governor Reagan won the next state primary election in a stunning upset, and went on the win the presidency.

Elliott’s work is widely credited with Reagan’s ascension to his party’s nomination.

With a knack for creating awareness of a product or candidate through the provocative use of words.  As an example, for a new fine dining restaurant, the Tony George, he created this story: Tony George Makes Stupid Martinis.  The restaurant quickly became the go-to place in town, far exceeding sales expectations.

For the City of Philadelphia, his Philadelphia Isn't As Bad As Philadelphians Say It Is campaign lives on years after it's creation.

His advertising creations for both candidate and commercial clients in the food, hospitality, retail and place brand sectors are simple and poignant, each tugging with unexpected humor which, of course, creates indelibility. 

As Elliott describes it:

“Too often marketing campaigns have no impact, as people easily forget them.

Production values may be superb, but if the content isn’t remembered any campaign is useless and a waste of money.

In contrast, our work stands for something. 

We set an agenda to stir the emotions of audiences you seek to influence.

Our content withstands the scrutiny of a questioning press, keeping the eye of the consumer or voter on the big idea, to change minds.”

In his spare time, Elliott combines his street photography with the works of award-winning photojournalist, Eric Mencher, to produce conceptual art on Instagram.

For as long as he can remember, Brian Petchers has been a fan of cinema and motion pictures. He first creatively indulged his interest in cinematography at an early age, producing short films with friends using his parents' camera.

As a college student, Brian was so attracted to the magic of filmmaking that he worked as a production assistant on the set of a feature film shot in Connecticut. For free. After weeks of 12-hour days on location, his passion was confirmed and a career begun.

Today a music video and commercial director and producer, Brian directs content for Forbes Magazine, where he is also a contributing writer. Clients include Warner Bros Records, Universal Music Group, LRG Clothing, Sagmeister & Walsh, Adobe, and Columbia Records.

Working with Grammy-nominated and -winning artists, Brian's work is featured on television networks such as MTV, BET and REVOLT. In 2012, Brian directed a Top 10 Hip Hop Video as recognized by The Metropolitan Jolt.

Also a producer of documentary film, Brian most recently served as director of photography and producer for Egypt Through The Glass Shop. The film premiered at the Artisan Festival International, winning best International Feature Documentary.

Awarded a Bachelor of Arts from Skidmore College, with a Major in History and Government and Minor in Studio Art, as a student Brian was named President of the college's television station. He studied filmmaking at the Tisch School of the Arts of New York University, at FAMU International [the Film and TV School of the Academy Of Performing Arts in Prague], and the School of Visual Arts in New York.